Two nerds, a laminator, and an extremely long “warm worm” somehow lead to a deep dive into one of the darkest, driest, and most hypnotic debut albums of the ‘90s. Undertow wasn’t just Tool’s arrival — it was a statement: no gloss, no funk, no flannel. Just tight, menacing precision and the kind of sonic control that made everything else in ’93 sound like it was recorded in a gym hall.
Neil and Chris get into Sylvia Massy’s production magic, the infamous piano-and-shotgun session that birthed “Disgustipated,” and why Undertow still feels so unsettlingly alive today. They unpack the censored artwork, the Lollapalooza breakthrough, and what makes this record sound dangerous even three decades later.
If you like your riffs dry, your rhythm sections ritualistic, and your frontmen just a little terrifying — this one’s for you.
Timestamps
00:00 — Warm-up chaos: “warm worm,” laminator drama, and remembering to actually start the show. 00:04 — Why Undertow and not Lateralus (yet). Tool’s shift from soundscapes to surgical precision. 00:07 — Setting the scene: 1993’s heavy landscape and why Tool went against the grain. 00:10 — Comparing Undertow’s live-band energy to A Perfect Circle’s layered polish. 00:14 — The dry, claustrophobic mix and why it works. 00:15–00:19 — Who is Sylvia Massy and why her production mattered. 00:19–00:22 — The piano + shotgun recording session and how it became “Disgustipated.” 01:05 — CD quirks, hidden tracks, and Flood’s strange indexing. 01:08 — “Turn it up”: why the album rewards volume. 01:11 — The censored cover art and mail-in reveal. 01:14 — Lollapalooza ’93: the moment Tool broke through.
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