Anthrax pivot hard into the ’90s on Sound of White Noise—first with John Bush, last with Dan Spitz—and somehow make it feel inevitable rather than mid-life crisis. We dig into why the songs land (drier drums, thicker guitars) and how a label switch put a new sheen on the chaos. Along the way: Dan Spitz’s surprise second act as a master watchmaker and a brief “It’s-a-me Mario” detour while trying to say “Badalamenti” like adults.
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